Last year I was excited at the opportunity to do some architectural photography for Helzberg Diamonds. I was asked to photograph the interior re-fits of a whole series of Helzberg locations. The projet involved a lot of late nights, some interesting travel stories and some great experiences. The photographs we’ve included below are from the flagship location here in Kansas City. We are lucky to be so close to their flagship store located on the Country Club Plaza. The new merchandising cabinets are absolute works of art and the overall design of the stores is breathtaking. From the flagship - to the mall locations - to the free-standing stores - they are consistently brilliant.
In carrying out the shoots we had the chance to meet Parke Wellman, the architect who is responsible for this incredible redesign and she was gracious enough to say some very kind words about our work:
“I discovered Alistair and his team at the last minute, reviewed his extensive portfolio and determined that he has the eye for detail a retail space requires for photography. His schedule and flexibility dovetailed well with a retailer demands and needs. The multiple store photos turned out as expected and priced very competitively! We will be working again very soon.”
Parke R. Wellman, AIA, RDI - Divisional Vice President - Store Design, Construction, & Visual Merchandising
Thank you to everyone at the Helzberg locations in Kansas City, Chicago, New York and San Antonio for making sure each location was well prepared and for providing the elements that made for such a beautiful end result.
Credits:
Helzberg Diamonds
J.E. Dunn
Assistants - Andrew Hoxey
Blog
A food blog dedicated to the Kansas City commercial photography studio - Alistair Tutton Photography
Go Chiefs!
We had an absolutely incredible opportunity last year to work with a great team on the Kansas City Chiefs’, Arrowhead Stadium renovations. Populous, Turner Construction and Burns & McDonnell partnered on the project and sent us on a long jaunt both inside and outside the stadium, capturing architectural photography of the raw spaces and lifestyle imagery against the architectural backdrop on game day. It really was wonderful, and I don’t think there are many spaces I haven’t seen at Arrowhead.
Thank you everyone for all the help in scheduling us for the shoots and in getting us access to the entire project - we even got on the roof on game day!
Credits:
Populous
Turner Construction
Burns & McDonnell
Kansas City Chiefs
3 Axis
Assistants - Ryan Yoakum, John DePrisco, Andrew Hoxey, Natasha Frederick
Email Marketing Is It a Reach Out or Just A Reach Around?
A recent episode of poor email marketing execution by a New York photographer - who we will not name here as he’s already received his fill of hate mail I’m sure - created quite the stir this week about email marketing etiquette. While this example appears to have been a technical glitch the barrage of emails sent to promote various vendors, products and services is beginning to become exhausting. It seems to be creating a constant white noise in our in boxes that I fear people are ignoring on a daily basis. So what is a photographer, designer, printer or other service provider to do in order to break through all this white noise and get noticed by those we want to reach to work with the kinds of people we want to work with and do the projects we know we can kick ass at?
This is where we reach out to you to start a dialogue between those we want to reach art buyers, art directors, creative directors, marketing directors and all other job titles that fit the role and us - the photographer, the printer, the designer, the freelancer, the ‘insert vendor relationship here’.
What is your opinion of the emails your receive?
Which ones actually make you take a moment to open - and why?
If all email is just an annoyance and intrusion to your day how would you like to be communicated with in regards to resources that you need to source to get your projects completed?
We all have to work together to get projects completed for our clients so let’s try to start with our initial contact by creating a mutually beneficial relationship that works for both sides instead of assuming that we know what you want or how you like to receive information we are asking you to tell us. Share your thoughts, opinions, suggestions, request, comments or concerns with us here.
SB3 Chicago
So what happens when you put a bunch of intensely competitive commercial photographers all in the same hotel for two and a half days and just throw ideas at them? A lot, an unbelievable amount actually. It’ll take a while to see it all sink in, but if even half the people I saw, deliver on half the ideas they came away with what will happen will be yet another evolution in the centuries old practice of photography.
So where was I? I happened to have the incredible good fortune to attend ASMP’s Strictly Business 3 convention in Chicago with a whole host of professionals from around the country. I got to meet people that were just starting off on their career. I saw people I’ve reached out to over the phone and in person for advice, and people whose work just simply takes my breath away. It was pretty cool. It was the first time in years I’d actually stepped way outside of my immediate circle to learn something and it was fantastic.
The format started with a series of one-on-one consultations, with some of the leading practitioners in the industry talking about my portfolio, my business and my way of thinking - pretty handy. Then into a series of workshops subdivided by key-note presentations and roundtable forums. The workshops were wonderfully varied, open and interactive. The key-notes were led by inspirational thinkers in the creative industry, outside of photography and the roundtables were positive and open - pretty much exactly what you want from a convention like this - the perfect mix to really generate new ideas.
I happen to be new to this industry, in my opinion. I am new like one of those adolescent toddlers, kinda precocious and silly. I am just learning my craft, developing my trade, finding my way and really enjoying it. I actually hope that in another thirty years, I’ll still be new to this industry, because I’m sure this industry will be new to me. That’s the nice thing about photography, it doesn’t stand still. Sure, it’s moved a little slower at times but it’s constantly changing techniques, developing new styles and engaging people in new mediums. This change is sometimes led by us, as the practicing professionals and sometimes it is led by the wonderful people that demand our images and clamor for unique imagery. That is what fascinates me about the industry of photography.
So what did I actually get from it? One of my favorite moments was when I skipped lunch to beat up on my SEO for an hour. Or it could be the keynote where it boiled your entire brand down to being awesome, think about it - it’ll work. Or discovering that there will always be change and I am going to have to search within myself to figure out how to continually adapt to that change. But the one thing that kept cropping up - personal work. I looked at the portfolio and realized that I’m looking at the sum of all these years of work. I am looking at the best of hundreds of thousands of images, countless hours all over the country, working with wonderful people on great projects, but the ones that I liked were the ones I put the most of me in. That’s when it hit me, that beyond the clients, the stylists, the reps, the camera gear, the mortgage, the software and the silliness what makes me a photographer is my vision, my desire, my beliefs and my interests, but above all me. I will tell you one thing, I fully intend to put a lot more me in my work because when I do, my clients are happy, my team is happy and my work looks so damn good I fall in love with it.
So, to any creative professional wondering if going to one of these conventions is worth it, I have to say wholeheartedly, yes! It will really help you remember why you do what you do and how to make it better for you. In sixty years, when you lay that camera/pen/pencil/mouse/[insert creative tool here] down that will add up to a lot more fun memories and a lot more success.
PS. The other highlight of the event was seeing one of my images in the new Find a Photographer video - pretty cool to see something from your portfolio make the cut, when they have over 7400 portfolios to consider.
PPS I didn’t take a camera - I think I was the only person there. But I did take two ears, and I really hoped I made use of them. Enjoy the bonk, breakfast and Charlie Sheen images - my finest work!
Fruit Flies
A few months ago we were inspired by some work we saw in PDN and wanted to shoot some food photography using a fish tank and some fruit. The post processing on this shoot was pretty complicated and worth revisiting.
When you know you will have a complicated retouch ahead of you, its important to simply keep this in mind while you are shooting. This might sound obvious, but there are some things you can do during the shoot that will help on the back end. In this shoot we tried to get as many different shots of clean water lines as possible to use for composites, generally the more you have the better. We also tried to keep the water as clean as possible. Changing out the water to get rid of orange pulp is generally easier and less time consuming than taking it out in post. As much as I like pulp in my orange juice, lets face it, floaters aren’t attractive.
Once we selected the most interesting splashes, opening them in Photoshop and fitting them all together to form the composition we wanted was a somewhat subjective group effort. Several variations were made before we came to the final image. Doing things like converting the layers to smart objects to avoid data loss, masking out everything but the focus of each layer, and lowering the opacity of each layer until you have everything in place can help keep from spinning wheels. Otherwise it can be difficult to visualize exactly where to place things.
The next step in the retouching process was definitely the most time consuming. Taking out all the dust specks and orange pulp looked pretty daunting at first, but I saved a bunch of time by just making a solid black layer rather than trying to use Photoshop’s clone stamp to take out every speck. By making a black layer as the top layer and using a mask to cover the dust specks you don’t have to flip between different layers or tools. I find that simplifies things. You could also flatten the entire image and use the brush or clone stamp, but I like to keep the layer separate as long as possible just in case I need to go back and make another edit to the layout.
The only thing left to do then was cleaning everything up and making sure all the lines connect properly when moving from one composite image to the next. In the end the composited image took approximately four hours from start to finish. All said and done, we had a few new images for the portfolio so needless to say, we were excited about the results.
Midland Theatre - KC Magazine and Helix Architecture
I was thrilled in February to get a chance to attend the ADDY show in Kansas City and also to see the interior of the Midland again. I got a chance a couple of years ago to actually photograph the interior of the Midland Theatre for KC Magazine and it is absolutely breathtaking. Shooting it meant I got the opportunity to literally see all of the theatre, and really get a chance to get up close to the incredible restoration work. Without a doubt I’d love to thank AMC, for having the foresight, and Helix Architecture, for having the capabilities to pull off this world-class project. It’s a real jewel for Kansas City.
Credits:
KC Magazine
Change is Good
“Change is the essence of life. Be willing to surrender what you are for what you could become.” - Author Unknown
Change is inevitable, it’s the only sure thing in life. Things are changing at Alistair Tutton Photography. We now have an on-staff retoucher/assistant in Andrew Hoxey and with my addition to the staff we now have a studio manager as well. We are growing and looking forward to all the future holds for us. New opportunities with current clients and opportunities with new clients.
Who am I you may be asking yourself? My name is Kate Crockett and I joined Alistair in mid-March as studio manager. I am very familiar with change and the opportunity it can bring. I am a navy brat who moved 11 times in 13 years and have enjoyed a variety of experiences in my over 15 year career in marketing. Change always brings some level of trepidation with it, like learning to work with new people, my least favorite - learning new computer programs or sometimes it’s just learning the names of your co-workers - granted here it’s learning the names of all four pups and yelling the right one at the right time to avoid incident. But change also brings with it excitement at the opportunities yet to be uncovered.
I look forward to the excitement of helping Alistair Tutton Photography expand it’s opportunities and I am thrilled to be working with such a great group of people. We are looking forward to launching an updated portfolio on our website so stay tuned for that very soon. In the meantime if you see me at any upcoming networking events please say hi and if you are in need of a puppy fix feel free to stop by the studio for some time with our furry friends.
Credits:
Assistant: Andrew Hoxey and Natasha Frederick
Retoucher: Andrew Hoxey
Congratulations SHS and Shatto Milk!
So the AAF-KC ADDY Awards and the AAF Regional ADDYs have wrapped up and we just wanted to wish a massive congratulations to SHS and Shatto Milk. We are proud of our long relationship with both SHS and Shatto Milk. Alistair Tutton Photography had a great night locally with wins for imagery we shot for Liquid 9, Houlihan’s and the Vox Theatre. But the big win was for Shatto Milk - a whole bunch of Gold locally and of course the big Best of Show at the District Nationals.
The images we shot appear on the Shatto social media feed and we also shoot the competition entries. It’s wonderful to work with such a great product and such a wonderful agency.
Congratulations, good luck at nationals and we’re looking forward to the next big win!
Credits:
Shatto Milk
Sullivan Higdon & Sink
Creative Direction - John January
Art Director - Seth Gunderson
Copywriting - Jonathan Vigliaturo
Copywriting - Garrett Street
Talent - Shawn Howard
Jet Test Cell - Burns & McDonnell
We had a really unique photoshoot earlier this year all the way down in Mississippi - it was a bit of a surprising one. When we pulled up to the exterior of the building it was very utilitarian and stripped down, and although we knew the function we had no idea how cool the interior was going to look. Basically it’s a jet test cell for the Navy. They test small jet engines that go on trainer planes. The two views we’re sharing are inside the test cell and feature one of the jets they would actually test there. The photographs are a head-on and reverse angle of the cell. You can see the control room, the exhaust and the in-take to the cell. It’s a pretty amazing location and thanks to Burns & McDonnell for letting us photograph something so unique - you’ll see it in the new portfolio, we’re really pleased with it.
Credits:
Burns & McDonnell
Assistant and Retouching - Andrew Hoxey
Kansas City - Time for a New Mayor!
Congratulations Kansas City! Tomorrow you’ll wake up to a new mayor (we will probably find out that name this evening). I was very fortunate last year and KC Magazine sent me on a shoot to photograph each of the main mayoral candidates; Mike Burke and Sly James, Deb Hermann and Jim Rowland and of course, the incumbent, Mayor Funkhouser. It was a great shoot, and as it was my first time being eligible to vote for a mayor I really appreciated the opportunity to personally meet each one of these fantastic individuals. Good luck to the winner and thank you to all the candidates for their service to the community.
PS. While I may have a favorite, that’s my secret with the booth, but I’ll be honest I would love either of the two final candidates to be in office - we are spoiled for choice in my opinion.
Credits:
KC Magazine
Assistant - Layne Haley and Ryan Yoakum
Retouching - Andrew Hoxey
The holidays are a time for doing what we want
The week between Christmas and New Years is normally a time for relaxing and recovering from the over stimulation of presents, comfort food and celebrating. Not here, that week is set aside for shooting test shots we’ve been dreaming about all year long. This year we were inspired by a few shots we had seen in PDN and other places and wanted to see what our creative minds could get up to when given a week of free time to play in the studio. Our friend, Layne Haley was up for the challenge to work with us to test techniques and lighting scenarios to shoot raw ingredients in a clinical way. We took 4-5 days to shoot individual items like fruits, eggs and other raw foods. We had a great time and thought we’d share the best shots with everyone. Enjoy and next time you are recovering from your holiday hangover just think we’ll be playing in the studio and creating magic on our own terms. We love what we do.
Credits:
Retoucher - Andrew Hoxey
Assistants - Natasha Frederick
Special thanks to - Layne Haley
Houlihan's + Road Trip = Success
We have been working with Houlihan’s restaurant for years and were invited recently to shoot their private dining rooms around the country. We thought what better idea than that to take a road trip. Late nights, open road and beautiful restaurants welcoming us in…we call that heaven. We were challenged by Houlihan’s to produce images that represented the architectural feel of their private dining rooms. By blending the room lighting with subtle additional lighting we captured that intimacy. Late night photo shoots are always good for interesting stories to tell and some that shouldn’t be told. Let’s just say we are proud of the work we did and enjoyed ourselves immensely. The final shots shown here are from the Devon Seafood Grill in Chicago and in the end they even won us all an Addy Award.
Credits:
Client - Houlihan’s
Art Director - Dean Woods
Assistants - Ryan Yoakum and John DePrisco
Retoucher - Andrew Hoxey
We Christened the New Studio with Pasta and AIPC
We got to break in the new studio in the Fall of 2009 by shooting some work for the American Italian Pasta Company. We believe in carbo-loading to prepare for hibernating during the winter months so this came at the perfect time.
We worked for a month and a half creating pasta dishes that would make your mouth water just looking at them. Thanks to Anne Fisher for making all the pasta dishes look so amazing. We worked with the client, who was off-site, to get an entire library of images approved to use in their product packaging, advertising and in-store promotions. We are excited about the final shots and we celebrated with a bowl of spaghetti.
Credits:
Client - AIPC
Agency - Global Prairie
Creative Director - Asher Johnson
Art Director - Sarah Huerter
Food Stylist - Anne Fisher
Assistants - Ryan Yoakum, Nichole Evans, Layne Haley
Baxter?
Hi all, you may have seen some mention of a new puppy recently. It’s kind of a weird story. In the depths of mid-winter, on that particularly nasty cold day a couple of weeks back while people were off crashing their cars into each other on the hire our neighborhood hero/mailman was off on his chilly rounds. He’s a particularly wonderful human being our Jeff, and also a giver of dog biscuits to our friend Quoia (the ginger love of my life) and he spied a furry, black lump shivering in the corner. It was Baxter, wearing a very dapper jacket. Jeff dropped him off with our neighbors, who posted some flyers and knocked on some doors and then needed to go out to lunch…
…and that’s when Baxter came to us. He’s pretty sassy and he’s pretty smart…and we’re working on the whole usual growing from a puppy to a dog thing with the skillful use of squeaky toys and biscuits. But I’ve got a feeling Baxter’s owners aren’t coming for him, so we could be in for a fun ride with a new studio dog.
Please join me in welcoming Baxter* to the family and feel free to drop by and give him a cuddle or a biscuit or both. In the meantime Quoia, Aine and Bigsby are ‘adjusting’. They’re providing a lot of free corrective advice, particularly regarding the ownership of a variety of squeaky objects.
*Or any other name we wind up finding for him in the near future - we’re kinda partial to playing with those names…
Credits:
Talent - Aine, Baxter, Bigsby and Sequoia
Assistant and Retouching - Andrew Hoxey
SALT Branding - DexOne
So, a long time ago, in a galaxy far far away there was a photographer and a blog and a ton of really cool, exciting new work and this complete inability to get the work on the blog…but here goes with the new years resolution for 2011…wish me luck.
Sometime, way back in the barmy summer of 2010, we got the chance to take a long drive to sunny Denver and meet some fantastic folk from DexOne - they’re busy redefining the phone book - not easy stuff. Anyhow, they got us to shoot an entire image library to match the incredible new brand they got courtesy of SALT Branding. Thanks DexOne, SALT and the incredible crew that worked tirelessly to shoot some beautiful photographs. Seriously, I loved it, love the shots, and who knows maybe I’ll get around to showing a few more off one of these days.
Thank you to Lea, April, Margo, Jill, Paul, Laura, Doug (the unluckiest man alive), Vicky, Sarah, Ryan, Tiffany and last, but never least Mat. It was a ton of fun.
Credits:
Client - DexOne
Agency - SALT Branding
Creative Director - Paul Parkin
Art Director - Doug Becker
Account Manager - Laura Nielsen
Producer - Vicky Frenkel
Stylist - Sarah Thompson Lift
Stylist Assistant - Tiffany Wojciak
Assistants - Ryan Yoakum and Mat Dunstan
VML - RANK
This is one of the many, many missing shoots that I’ll be getting on the blog soon. I got a chance a year ago to work with a fantastically creative crew from VML on an incredibly unique project for RANK - “Rapid Acceleration Neck Kink”. This was the result. Thanks Brad, Jessi and Sam.
Credits:
VML
Creative Director - Brad Hamilton
Copywriter - Jessi Withrow
Art Director - Sam Hendricks
Stylist - Sarah Thompson Lift
Assistant - Lauren Lemons
Vox Theatre - Artifacts
Half way through the work on the new studio I discovered some really interesting items that were part of the history of the Vox Theatre (as far as we can tell!). Trapped way up in the ceiling of the back corner was an old sign for a jewelers store (that we think may be from next door), an incredible plaster fixture for a sconce light, some wonderful plaster fixtures that would be part of a ceiling light and finally an old cinema chair with the legs and arms still intact.
They’re wonderful to see and I’m hoping we’ll be able to cast from them to produce new fixtures for the studio as we renovate the lighting.
One Year and a Bit On...with a Shiny New Look
I’m sorry - this last year was a little bit eventful and I kinda lost track of blogging. So, let me see if I can bring this blog back up to speed.
First off let’s talk about the studio; I know that’s pretty much all I ever talk about, but it’s been a pretty eventful experience and one that has been exceptionally rewarding. As we started wrapping up the final touches (for now) on the front door I wanted to share some before and after shots with you:
As you can tell the interior and the exterior is finally getting to a point when I can have a day off! The other big news for last year was the photography - basically it rocked. Overall I ended up with my best year ever, worked with some great new clients, delivered some fantastic images to my lovely existing clients and really had a blast. The plan is to start showing those images off on the blog over the next few weeks so I can share it with you.
Last but not least, after almost fourteen years, I was finally eligible for and passed my citizenship exam. This means that sometime in the next few weeks I’ll be swearing in and then we’ll have a party. A big party.
Credits for all:
Vox Theatre
Springboard Creative
Yoakum Photography
Morgan Jacobs Contracting
Nichole Evans
Stephanie Malcy
Jeff Berney
Sol’s Glass
Prairie Cube
Deco Catering
To all the many, many volunteers, wonderful clients, fantastic assistants…
…and of course my beautiful, wonderful wife, Angela - she’s awesome don’t you know.
Ted's Montana Grill - Urban Times
I had a chance to swing by Ted’s Montana Grill last week for Urban Times and it was a ton of fun. I got some interior shots, complete with large buffalo head and then got to really have some fun with the food. Mixing a little natural light and strobe and getting some really cool, quick results. A big part of the story was the enormous sustainability effort undergone by Ted’s in picking out their materials.
Oh yeah, and the food is fantastic.
Credits:
Ted’s Montana Grill
Urban Times
Consentino's Downtown Market - BRR Architecture
Another cool new client and a chance to shoot the flagship Consentino’s Market in Downtown Kansas City. This is a great project and a welcome addition to the downtown area. Thank you BRR for a fantastic design.
Credits:
BRR Architecture
Assistant - John DePrisco